Dinosaurs, Babies, and a Sentient Toy in Love, Death + Robots Vol 4

Whether you're fascinated by extraterrestrials, find infants unsettling, or have an affinity for adult toys with a quirky twist, *Love, Death + Robots Vol 4* is set to cater to your eclectic tastes. This anthology series returns with ten new animated shorts, premiering on Netflix on May 5. Expect a rollercoaster of emotions and visuals that only *Love, Death + Robots* can deliver.

Love, Death + Robots Vol 4 Teaser Trailer

5 Images

Netflix has teased us with a trailer that encapsulates the essence of *Love, Death + Robots*—a visual feast paired with intriguing and bizarre concepts. In just a minute of footage, we've glimpsed several captivating scenes:

• An epic space battle or disaster
• A puppet rock band
• An adult toy, brought to life with giant eyes in claymation
• A priest strolling alongside an alien with tentacles on a beach
• A tormented, possibly bionic woman accompanied by a cute fuzzball
• Massive, threatening babies
• Dinosaur-on-dinosaur violence
• An alien invasion depicted with miniatures
• A disgusted voyeuristic cat

The series continues to be executive produced by Tim Miller, known for directing *Deadpool*, and David Fincher, acclaimed for *Seven* and *The Social Network*. Jennifer Yuh Nelson, who contributed to *Kung Fu Panda 2* and *Shrek Forever After*, returns as the supervising director.

In a 2022 interview with Collider, David Fincher expressed his hopes for the series' legacy, stating, "If the legacy of *Love, Death + Robots* is that there are a handful, fifteen people, ten years from now who became directors or became animators or became motion capture performers or doing voice work because they were such big *Love, Death + Robots* fans, that's all I care about right now."

Fincher also shared his passion for the project, saying, "This show was never going to pay for your Gulf Stream. You're either here because you want to be here or you're not here. We're hoping desperately to get to waste more of our lives toiling in obscurity."